Running Time: 1 minute (excerpt) Directed by: Curtis Savage Produced by: TurtleSoul Productions An abstract collage combining footage from several different Montreal festivals. Running Time: 4 minutes Directed by: Curtis Savage Produced by: TurtleSoul Productions A music video filmed at the Just for Laughs comedy festival featuring the roving comedy troupe, Toxique Trottoir, highlighting the troupe's quirky and humorous take on popular culture. Running Time: 23 minutes Directed by: Curtis Savage Produced by: TurtleSoul Productions Although Montreal applauds itself as a city of festivals, fine art, comedy and cinema, it has another less known reputation - its own dark secret.  It’s the telemarketing fraud capital of North America.  The film reveals the world of fraudulent telemarketing in Montreal through candid interviews, personal reflections and exclusive footage inside a boiler room.  The film goes on to explore the psyche of telemarketers, how they deal with guilt, and how telemarketing can become an addiction. Running Time: 1 minute (excerpt) Directed by: Curtis Savage Produced by: TurtleSoul Productions Every year the Just For Laughs festival seems to draw some of Montreal's most colourful characters.  This gentleman decided to crash the Bell Canada booth and perform his own unscheduled repertoire.  Fortunate enough to have a camera, we started shooting and were able to catch a star in the making - until he was politely told to wrap it up! Running Time: 1 minute (excerpt) Directed by: Curtis Savage Produced by: TurtleSoul Productions A short documentary that repurposes television material to intentionally manipulate the audience as it examines the Latin origins of rhetoric, revealing how the ancient art of persuasion is used in modern television, news and advertising. Running Time: 4 minutes Directed by: Curtis Savage Produced by: TurtleSoul Productions Since its invention, photography has helped us remember.  Sometimes we look at a photograph and it triggers a memory long forgotten.  Other times, the memory is irretrievable and all we are left with is the photograph.  The film plays with the idea of a photograph having an interior life, capable of memory and consciousness.  When the photograph is destroyed what happens to the memories that were attached to it?  Do these memories still exist, but in a space and time now inaccessible to us?